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标题: 妮可《Rabbit Hole》下载,115网盘 [打印本页]

作者: leo-mariah    时间: 2010-12-10 09:55     标题: 妮可《Rabbit Hole》下载,115网盘

http://u.115.com/file/t3e922d8db

全片大部分一直是很内敛的表演,平静,却有淡淡的细腻的悲伤的暗流。内心很悲伤,却又强装正常,但又不可能完全掩饰内心的感受,妮可把这一点拿捏得非常好,细腻的情绪,很有质感。中间还有情感爆发宣泄的戏,再加上最后那段车内的痛哭,让人入戏,有感染力,伤感油然而生。

艾伦也演得很好,把既要承受丧子的悲痛,又要继续工作,硬生生地扛着家庭的担子,硬生生的支撑着生活的父亲形象完成得很好了。

戴安韦斯特,拿过两次奥斯卡女配的实力派,自不必多说了,把自己丧子的隐痛表现得非常精准,还不停试图旁敲侧击地帮助自己的女儿走出困境,机智,幽默,还有内敛的细腻的悲伤,但有一颗坚强的心。

导演很不错的一点是一直控制着影片的情绪,没有一味地陷入悲痛,而是一直在往积极的方向发展,片子只是淡淡的伤感,当然最后他们还是找到了出口。我想也有配乐的功劳,自始至终保持着轻柔,淡然的感觉。

我现在觉得妮可的提名比较稳了。有的演员可能会演成苦大仇深整天郁郁寡欢不能自拔,而妮可很聪明,她分成两面演,一面是表面平静要故作坚强继续生活下去,另一面是内心的苦楚依旧无法摆脱丧子之痛,这样的处理方法让人物很有层次感,显得真实并且令人信服。
作者: clark    时间: 2010-12-10 12:41

本帖最后由 clark 于 2010-12-10 12:54 编辑

感谢!

还没映就出资源了,难道狮门开始送碟了?
作者: olivivien    时间: 2010-12-10 13:17

有字幕么??

《爱的拐角》宣传战略把握得很好,妮可几次接受采访都是以制片人的角色谈这部电影,一点也没有显现出任何想获得影后的野心,谦卑且专业,这样反而更容易获得学院会员的好感。反观哈里·贝瑞那部人格分裂片,反复强调其演技之了得,又不停与《怪兽舞会》作比较,恐怕只是梦一场。

凭良心说,妮可现在已经稳坐影后第五把交椅了,但我还是偏心摩尔一点,上次已经输给妮可,这次难不成还要被挤出榜外??
作者: 低空飞翔    时间: 2010-12-10 13:47

我也想知道有字幕吗?!
楼主的资源真超前啊!
作者: clark    时间: 2010-12-10 15:43

应该没有字幕。

从之前出来的四五个视频感觉是Nic这几年最放松的一次表演(可能结婚生子的缘故,早几年的同一种劲都让我不忍看了。),但也没有特别说让我惊喜的地方,还是要看整体效果。提名我一直还不太敢想,今年真的太强了,还是等17号之后的评价再说。就像之前所说,如果评价超群加上宣传得力,可能一下子两个提名。
作者: olivivien    时间: 2010-12-10 17:38

《娱乐周刊》的影评已经出来了,对妮可评价蛮高的!  

Rabbit Hole
Reviewed by Owen Gleiberman | Dec 08, 2010


THE GRIEVING PROCESS Nicole Kidman and Aaron Eckhart mourn a loved one in Rabbit Hole



In Rabbit Hole, Nicole Kidman and Aaron Eckhart play Becca and Howie, a married couple in a leafy Hudson Valley, N.Y., suburb who are still coping, eight months after the fact, with the death of their 4-year-old son. (He chased their dog out into the street and got hit by a car.) From 21 Grams to Reservation Road to Antichrist, movies about couples who have lost children in tragic accidents offer a unique double challenge to an audience. The material itself is wrenching enough to be seen by many as off-putting. But even for those who are willing to follow a drama down this dark a path, it's easy to feel locked outside of the couple's suffering, since the whole point tends to be that the raw nerve of grief is too intense for them to touch. The bottomless sorrow, the rage, the catharsis: We don't experience these things so much as we watch the couple work up to experiencing these things. There's a lot of numbness mixed in with the devastation.

Rabbit Hole, based on David Lindsay-Abaire's Pulitzer Prize-winning 2006 play (on Broadway it starred Cynthia Nixon and Mad Men's John Slattery), has dialogue that sears, but the canniest thing about it is that it carves shrewd and lively dramatic arcs out of souls who are too damaged to feel their own feelings. Kidman plays Becca as a coldly wounded warrior who can't bring herself to jump back into the stream of her life. She won't act ''reasonable'' toward her husband, and we can more than understand why: To do so would be a betrayal of the emotional chaos that she's hidden away inside. Becca and Howie join a support group for grieving parents, which allows the film to tweak the narcissism that can creep into even the most serious therapy circles. Yet Becca won't let her guard down. When Howie puts on some Al Green and nuzzles her on the couch, she acts as if this gentle attempt at seduction were some sort of violation. Nothing intrudes upon her control over her own suffering. Kidman finds the courage to make Becca dislikable, and the result is her most on-fire acting in years.

In a neat reversal of how this situation often breaks down in terms of gender roles (at least in the movies), Becca tries to eradicate all traces of her son's existence (school paintings, clothes, the home-video memento she ''accidentally'' erases from Howie's cell phone), whereas Howie wallows in the agony of it all. The whole life he loved has fallen apart, but he wants it back, and Eckhart shows a new kind of foreboding anger. He's powerful as a man who will do anything to crack the ice.

Rabbit Hole (in theaters Dec. 17) was directed, in a somber change of pace, by the playful maverick John Cameron Mitchell (Shortbus, Hedwig and the Angry Inch), who shows a true flair for actors but opens up Lindsay-Abaire's play in the standard functional, you-can-still-see-the-stage-floorboards way. And I'm afraid that at least one aspect of the play is second-rate: Becca seeks out a connection with the pasty-faced comic-book-writing teenager (Miles Teller) who killed her son, and their park-bench meet-ups are saintly communions of touchy-feely blahness. They make getting over the blame and the guilt look worse than difficult — they make it sanctimonious. B

作者: leo-mariah    时间: 2010-12-10 18:41

没有字幕,不过大都是生活用语,语速也不快,大部分都能听懂的~
评价高就好啊,妮可也该翻身了~这个版本的画质和音质都不错的,大家可以下来先睹为快~
作者: clark    时间: 2010-12-10 23:17

这是leo-mariah自己传的?在Nic百度吧看到你了。而且有自己的影评,加个精。欢迎加入影评人协会!当然要看到30部2010年新片就可以参加明年影评人协会了。
作者: 柏林苍穹下    时间: 2010-12-14 22:27

中文字幕 射手已经有了!
作者: clark    时间: 2010-12-14 22:39

中英字幕版本也出来了:

http://www.eee4.cc/html/juqing/2010/1214/19866.html
作者: olivivien    时间: 2010-12-14 22:45

官网设计得好有格调,配乐很喜欢!!!!

http://rabbitholefilm.com/
作者: 大奇特Grinch    时间: 2010-12-16 23:52

妮可总算有一部能拿得出手的片子了,虽然还没看,评价貌似很不错。
作者: 流连飘飘    时间: 2010-12-17 21:51

驴的呢?
作者: 玻璃女人    时间: 2010-12-18 17:43

谢谢你的坚持
作者: clark    时间: 2010-12-18 18:30

本帖最后由 clark 于 2010-12-18 18:32 编辑
妮可总算有一部能拿得出手的片子了,虽然还没看,评价貌似很不错。
大奇特Grinch 发表于 2010-12-16 23:52


每次一看到你谢耳朵的头像就莫名的喜悦。
作者: clark    时间: 2010-12-18 18:34

驴的呢?
流连飘飘 发表于 2010-12-17 21:51


你现在都还用驴呢?厉害!

http://www.verycd.com/topics/2869461/

http://www.verycd.com/topics/2870413/
作者: 流连飘飘    时间: 2010-12-18 23:15

本帖最后由 流连飘飘 于 2010-12-18 23:17 编辑

回复 16# clark

大哥 我从来没用过别的 一直驴着
眼泪汪汪的收了
作者: 大奇特Grinch    时间: 2010-12-19 01:18

每次一看到你谢耳朵的头像就莫名的喜悦。
clark 发表于 2010-12-18 18:30



   哈哈,人人都爱谢耳朵。。 第四季才看了三集,准备哪天有空一天内把其余几集补全!
作者: clark    时间: 2010-12-19 09:00

我也一直追着呢,一如既往的好玩!
作者: 夏理    时间: 2010-12-19 11:52

在豆瓣和mtime也看见楼主了




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